This Small Press Month, we celebrate the rise of independent publishing houses in India, and their extraordinary contribution to Indian literature.
This Small Press Month, we celebrate the rise of independent publishing houses in India, and their extraordinary contribution to Indian literature.
In this feature, Elsa explores how Krishna Sobti’s unique female characters managed to push readers to think beyond what was acceptable in society.
In this feature, Deya explores why there is a need for greater representation in literature of the unheard narratives of marginalised womxn.
In the face of religious riots and hate propaganda in India, Deepa Anappara’s ‘Djinn Patrol On The Purple Line’ holds up a mirror to our reality.
In this feature, Shweta explores how Isabel Allende’s ‘A Long Petal Of The Sea’ captures the pain of leaving home and sacrificing everything to survive.
This feature examines how home means different things to different people in ‘His Father’s Disease: Stories’ by Aruni Kashyap.
Jeet Thayil’s Low takes us through drug addiction, the circular nature of grief, the follies of the world and human foibles.
Despite its popularity, romance literature is still considered to be a women-centric genre. Here, we attempt to find out if Indian men read romance.
Through this feature, Eleanor demonstrates how Charles Dickens’ novels use food as a metaphor to reflect prevalent class distinctions.
With his manner of portraying conflict and speaking out against injustice, Agha Shahid Ali’s poetry continues to remain relevant today.
This exclusive illustration of the Preamble for Republic Day reminds us of our role as Indian citizens and the principles upon which our country was built.
In this feature, Shweta examines Mahasweta Devi’s use of language to depict how the protagonist in ‘Draupadi’ reclaims her humanity in the face of violence.
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